Video Production >>> Camera Rental >>> Optical filters

>>> Pinewood Studios, UK

one team

>>>   Stunning corporate film making

>>>   Authorised RED camera rental

>>>   High quality optical accessories

Founded in 1999 KipperTie have a solid reputation for quality corporate and advertising communication.  With the advent of digital cinema we diversified into specialised camera rental.
 
Now in our 20th year we push forward on all fronts: Striving for ever higher production standards for our video production customers,  serving the film and TV industry with the most effective RED camera packages available,  and manufacturing exceptional optical filters for RED camera users.

Our production services are about uncompromising quality and realistic pricing.
That's what sets us apart.

Fernando Caamaño, Director

Our Authorised RED Rental facility is one of a kind.
The Pinewood studios location underlines our commitment to the industry we serve

John Marchant, Director

Fernando Caamaño

Creative Director

Fernando is our engaging customer liaison. A highly experienced multi-skilled producer, cameraman and editor. He draws on his broad experience to find the best way to enhance our customers’ experience. His enthusiasm for exploring new ideas partners perfectly with his passion for technology.

Sarah Marchant

Production Support

Sarah is our rock – always there to support both you and us. A talented (and Tate Britain exhibited) photographer in her own right, she understands our business implicitly. She smoothly handles our production commitments and rental administration behind the scenes.

John Marchant

Technical Director

John's technical understanding and ability runs deep, and is married to an artistic eye. He plans, shoots and designs with flair. His experience and knowledge with RED cameras is unparalleled and he is currently a lead instructor for RED's own educational programme REDucation.

Nobody knows RED like KipperTie

The first Authorised Red Rental house at Pinewood Studios

DSMC2 Monstro 8K VV

749
Standard package

8K MONSTRO VV SENSOR • PRORES, DNX & RAW • 60 FPS @ 8K RAW

DSMC2 Monstro 8K VV is the flagship large format cinema camera from RED. The Monstro sensor’s huge dynamic range combines with IPP2 in camera to give breathtaking aesthetics and extremely low noise.  Add to that; ultra low compression raw, ProRes / DNX, 3d luts, wireless control, auto black-shading, auto OLPF-sensing, wire-free rigging.  An exceptional sensor in a tiny package.

AVAILABLE TO HIRE WITH RED PL, RED EF, KIPPERTIE LPL, REVOLVA PL, OR REVOLVA EF LENS MOUNTS

Standard kit contents

Custom Nanuk hard case containing:


RED Monstro 8K VV camera body
PL and EOS mounts
Standard VV OLPF
7″ touch screen
Small and large top handles
Base IO expander
Element technica V-lock module
RED quick release base with 15mm mount
RED DSMC2 EVF & mount
RED 19mm bridge plate and quick release
Arri compatible dovetail
2 x 480gb Minimag
USB-C Minimag card reader
USB-C and USB 3 cables
3 x BNC sync cable
Mains PSU + IEC

DSMC2 Gemini 5K

449
Standard package

5K GEMINI S35 SENSOR • PRORES, DNX & RAW • 75 FPS @ 5K RAW FULL HEIGHT

DSMC2 Gemini 5K is the latest Red technology. The Gemini sensor features dual ISO, giving superb low light performance.  The taller sensor is particularly suited to anamorphic lenses. Ultra low compression raw, ProRes, 3d luts, wireless control, auto black-shading, auto OLPF-sensing, wire-free rigging and a super light design all add up to an exceptional camera.  Available as brain only or as a comprehensive kit.

AVAILABLE TO HIRE WITH RED PL, RED EF, KIPPERTIE LPL, REVOLVA PL, OR REVOLVA EF LENS MOUNTS

Standard kit contents

Custom Nanuk hard case containing:


RED Gemini 5K camera body
PL and EOS mounts
Standard, Low light and Skintone OLPFs
7″ touch screen
Small and large top handles
Base IO expander
Element technica V-lock module
RED quick release base with 15mm mount
RED DSMC2 EVF & mount
RED 19mm bridge plate and quick release
Arri compatible dovetail
2 x 480gb Minimag
USB-C Minimag card reader
USB-C and USB 3 cables
3 x BNC sync cable
Mains PSU + IEC

DSMC2 Dragon-X 5K

449
Standard package

5K DRAGON-X SENSOR • PRORES, DNX & RAW • 96FPS @ 5K RAW

Designed and engineered to meet RED’s exacting standards for superior image quality, the DSMC2 DRAGON-X camera can capture high-resolution motion and stills in 5K Full Format at up to 96 frames per second (fps), or 5K 2.4:1 Full Format at up to 120 fps. It also allows you to take advantage of RED’s cinema-grade dynamic range and new IPP2 color science in-camera while offering the ability to record in REDCODE RAW (R3D) and Apple ProRes or Avid DNxHR/HD simultaneously.

AVAILABLE TO HIRE WITH RED PL, RED EF, KIPPERTIE LPL, REVOLVA PL, OR REVOLVA EF LENS MOUNTS

Standard kit contents

Custom Nanuk hard case containing:


RED Dragon-X 5K camera body
PL and EOS mounts
Standard, Low light and Skintone OLPFs
7″ touch screen
Small and large top handles
Base IO expander
Element technica V-lock module
RED quick release base with 15mm mount
RED DSMC2 EVF & mount
RED 19mm bridge plate and quick release
Arri compatible dovetail
2 x 480gb Minimag
USB-C Minimag card reader
USB-C and USB 3 cables
3 x BNC sync cable
Mains PSU + IEC

Red Weapon Helium Monochrome 8K

749
Standard package

8K TRUE MONOCHROME HELIUM SENSOR • PRORES, DNX & RAW • 60 FPS @ 8K RAW

Helium Monochrome is the highest resolution, highest sensitivity cinema camera ever made. With no bayer pattern the mono image has exceptional sharpness. The sensitivity, tonality and dynamic range steps beyond the already acclaimed Helium colour sensor.  Helium Mono is fully compatible with our IR conversions and is set to disrupt wildlife and other covert filming techniques with its combination of stunning imagery and simplified production and post usability.

AVAILABLE TO HIRE WITH RED PL, RED EF, KIPPERTIE LPL, REVOLVA PL, OR REVOLVA EF LENS MOUNTS

Standard kit contents

Custom Nanuk hard case containing:


RED Helium Monochrome 8K camera body
PL and EOS mounts
Standard, Low light and Skintone OLPFs
7″ touch screen
Small and large top handles
Base IO expander
Element technica V-lock module
RED quick release base with 15mm mount
RED DSMC2 EVF & mount
RED 19mm bridge plate and quick release
Arri compatible dovetail
2 x 480gb Minimag
USB-C Minimag card reader
USB-C and USB 3 cables
3 x BNC sync cable
Mains PSU + IEC

Sony VENICE CineAlta 6K

850
Standard package

FULL FRAME 6K SENSOR • RAW, PRORES, XAVC, XAVC • 50FPS @ 4K RAW

Full-Frame, 36 x 24mm sensor, the Sony Venice can capture cinematic images at up to 6K resolution. It can also record in Super35 full height 2x anamorphic mode and is capable of up to 60fps in 4K. This camera package includes the Sony AXS-R7 recorder which enables RAW recording for when a higher specification workflow is required.
Other advanced capabilities include internal 8-stop ND filters, Dual Base ISO and over 15 stops of latitude.
Our Sony Venice rental kits include Full Frame and Anamorphic licensing as standard allowing your production to take full advantage of this camera. If you just require the camera without the AXS-R7 recorder, we also hire a standard Sony Venice package.

AVAILABLE TO HIRE WITH SONY PL, SONY E, OR KIPPERTIE LPL LENS MOUNTS

Standard kit contents

Case containing:


Full Frame 35mm Venice Camera Body
EF and Anamorphic License
0.7” FHD OLED Viewfinder
Raw Recorder for RAW and X-OCN recording
3x AXS-A series media card 512GB

Red Weapon Helium Monochrome 8K

749
Standard package

8K TRUE MONOCHROME HELIUM SENSOR • PRORES, DNX & RAW • 60 FPS @ 8K RAW

Helium Monochrome is the highest resolution, highest sensitivity cinema camera ever made. With no bayer pattern the mono image has exceptional sharpness. The sensitivity, tonality and dynamic range steps beyond the already acclaimed Helium colour sensor.  Helium Mono is fully compatible with our IR conversions and is set to disrupt wildlife and other covert filming techniques with its combination of stunning imagery and simplified production and post usability.

Standard kit contents

Custom Nanuk hard case containing:


RED Helium Monochrome 8K camera body
PL and EOS mounts
Standard, Low light and Skintone OLPFs
7″ touch screen
Small and large top handles
Base IO expander
Element technica V-lock module
RED quick release base with 15mm mount
RED DSMC2 EVF & mount
RED 19mm bridge plate and quick release
Arri compatible dovetail
2 x 480gb Minimag
USB-C Minimag card reader
USB-C and USB 3 cables
3 x BNC sync cable
Mains PSU + IEC

Zeiss Supreme Prime set

available for £749/day

749

FULL FRAME  •  T1.5  •  25, 29, 35, 50, 85, 100mm 

The new high-end cinema lens family from ZEISS; Supreme Primes.  High-speed, full-frame, prime lenses for high-quality film productions, ZEISS is focusing on maximum quality, low weight, and significant versatility when it comes to creating superb visual imagery.

Make a booking

Atlas Orion Anamorphic set

available for £449/day

449

2x ANAMORPHIC  •  T2  •  40, 65, 100mm

Orion Series lenses deliver the striking beauty of painterly waterfall bokeh, disproportionate breathing, and signature but controlled flare.  These optical characteristics are now available as part of your cinematic storytelling toolkit with uncompromising mechanical functionality.

Make a booking

Super 35 ARRI Signature Prime set

available for £1250/day

1250

FULL FRAME  •  T1.8  •  18, 25, 35, 47, 75 and 125mm

The newest members of the ARRI lens family are the ARRI Signature Prime lenses, ranging from 18 mm to 125 mm and fitted with the ARRI LPL mount. While the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening and texturizing the large format with natural skin tones and creamy bokeh. A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off gives subjects heightened presence in the frame.

Make a booking

Companies like KipperTie allow RED to enjoy a very open and collaborative relationship with its customers. It is always great to meet like-minded people who love what they do and are not afraid to push the envelope on production technology.

Jarred Land, President RED Digital Cinema

production

Let our films put you in the spotlight

We love what we do.  You will too.

It's epic stuff, as always. We love it.

Leigh Dowding

You really go the extra mile, thank you so much

Mandi Stark

Your film is our number one marketing resource

Peter German

I want to shoot everything on RED with you guys. Anything else is just a compromise.

Neil Waddington

In-house Talent

PRODUCERS | DIRECTORS | CINEMATOGRAPHERS | DESIGNERS

Choose the right people

Our people set out to make dreams come true, day in, day out. We have skilled and specialised talent for every step, from concept to script, from shoot to final delivery.

Behind every great outcome is a process

We have years of invaluable experience. We work with you at every step, we do it with confidence, accuracy and personality. That’s why so many of our customers return year after year.

In-house Technology

6K MOTION & STILLS CAPTURE | ROCK SOLID DIGITAL WORKFLOWS

A unique blend of art and technology.

We understand both in equal measure.  We craft reliable methods to provide our customers with pixel perfect images, both aesthetically and technically.

And tomorrow?

We leverage the latest production technology to directly benefit our customers. We use exceptional 6K resolution cameras not for vanity but for practicality. We’re there first, so you can be too.

KipperTie Ltd
Eastside Complex
Pinewood Studios
Pinewood Road
Iver Heath
SL0 0NH
Production & Rental +44 1753 656568

Accounts +44 1892 832279

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